All in Historic Travel

Hunting Higdens in Newfoundland

by Jane Spencer

With no documentation or living family left to question, it seemed a long shot to trace my grandmother’s roots in Newfoundland. My father used to say his mother was from Harbour Grace, that she worked ‘in service’ there. My aunt said no, she was from Salmon Cove or perhaps Trinity.  My internet search was proving futile. Without my grandmothers’s birth certificate, birth date, baptism records (which apparently burned in a church fire) or even childhood photos, I didn’t have much to go on. I would have to travel to Newfoundland & Labrador to see what I could dig up, and I would take along my favourite chauffeur, my husband John.

My ancestors emigrated to Ontario from Newfoundland about a hundred years ago. My grandparents George Spencer and Elfreda Higden were both Newfoundlanders, as were their parents and grandparents before them.  George died at age 50, but Alfreda lived on to age 83, spending her final days living with us in her ‘granny suite’.  I decided to focus my genealogical search on her.

Here’s what I was told about my grandmother. She was a staunch Methodist, she loved the monarchy, and her deafness was caused by a childhood case of diphtheria. This instilled in her a suspicion and a fear that others were always talking against her, and it gave her a crabby edge. She fought with her husband incessantly.

Here’s what I remember about my grandmother. Into her eighties she weighed about 100 pounds and kept her grey hair curled up in bobby pins day and night.  She could lipread from across the room, and she squinted her eyes and shook her cane if she didn’t like what she saw.  She had these strange expressions like “Stay where yer at, and I’ll come where yer to” and “Mind yer mouth.”

One day, I was deadly embarrassed to catch Elfreda in her raggedy fur coat hitchhiking near our house in the suburbs down to the mall.  I ran in to tell my father, but all he said was: “You know she’s from Newfoundland” as if that explained everything. I supposed that Newfoundland was like another country, where they did things differently.

by Susanna Starr

It started out with a scant breakfast (have you ever tried a one egg omelet?) and miles of walking around the city streets of Quito in Ecuador wearing wedged sandals instead of sneakers. Wedged sandals are not the shoes of choice when traveling. My feet, already aching, were really in a state of extreme protest, a not too subtle indication of the agony to come. We were on our way to visit the art exhibit we’d been anticipating all day, but hadn’t quite left any time out for either lunch or water.

The Guayasamin Museum was our destination and surpassed all our expectations. The paintings and sculpture were impressive and the house in which they were displayed, splendidly representative of the Ecuadorian painter’s era (1919-1999). The original house had an extensive collection of pre-Columbian art he had acquired over decades. The only downside was that there was no place to eat! Our dilemma was if we were to start searching for a restaurant, there wouldn’t be time to get to Guayasamin’s Capilla del Hombre (The Chapel of Man), which was a “must.” By now it was a toss-up as to which was worse, my overwhelming hunger or my throbbing feet.

We decided to skip the restaurant search and walk to the Capilla which, we were assured, was just a short distance away. We simply couldn’t take a chance on missing the experience of visiting this most amazing structure, Oswaldo Guayasamin’s final dream, completed three years after his death as a tribute to the 500-year struggle of indigenous people of the continent. 

words + photos by Jolandi Steven

 

In the pursuit of progress, the past is often overlooked, neglected, discarded or forgotten. 

But to me, it holds an allure that is enticing, charming, mesmerizing and utterly seductive. Not so for everyone: When I first mentioned the abandoned village of Al Jazirah Al Hamra on the outskirts of Ras-al-Khaimah in the United Arab Emirates to my husband, he evinced his non-committal with a shrug of his shoulders.

Thanks to Google, I learned that Al Jazirah Al Hamra means “Red Island,” and before the discovery of oil and subsequent land reclamation that linked the old town permanently to the mainland, it was on a peninsula that, with high tide, became an island. The questions puzzling me were: “Why did the people abandon their homes?” “Where did they go?” 

story and photos by Rachel Dickinson

A week before what would have been my parents sixtieth wedding anniversary I found myself heading to Quebec City and the Fairmont le Chateau Frontenac, the very hotel my parents stayed in on their honeymoon. I believed, at the time, that this was strictly coincidental, for I had no desire to recreate the beginning of a failed marriage, but a part of me also strongly suspected that there was no such thing as pure coincidence.

CHIAPAS, MEXICO: Maya, Mother Nature, and More.

3 Ways to Discover Chiapas, Mexico: From a Maya immersion tour deep in the Lacondon jungle to a hacienda-hopping equestrian adventure in the Cintalapa ranchland, discover one of Mexico's most magical and least-known regions with three YourLifeIsATrip.com insiders: editor Judith Fein, photographer Paul Ross, and publisher Ellen Barone.

Traveling Back Through Time in Taos

by Susanna Starr

 

Although Starr Interiors, the gallery that I’ve had for decades, has been housed in what was once the home of one of the founding artists of Taos, New Mexico, E.I. Couse, only recently have I gotten entranced with the history of the building. I’ve known about it, but it’s always been in the abstract. My deed was signed under the presidency of Abraham Lincoln, but the building which was originally constructed as a private home, existed long before that. I’d never given much thought to the previous owners and the part they played in the colorful history of Taos.

Since making a connection with Virginia Couse and her husband, Ernie Levitt, who have the Couse Foundation, I’ve become inspired to do some of my own research into this historic building. They’ve been good enough to provide us with some photos when Virginia’s grandfather and his wife, the first Virginia, lived in the house, from 1906-1909, calling it Las Golondrinas. It was there that her grandfather built his studio by opening up the roof and adding on what looked like a greenhouse to provide him with the northern light he needed to paint by.

He also often painted in the courtyard. This courtyard was beautiful then, as now, and a photograph caoturs Couse sitting in the doorway at his easel with a handsome young model from the Pueblo standing in front of him. In another, we see him sitting in the courtyard on one of the rocking chairs with his wife stretched out on the grass, hollyhocks and Virginia creepers lining the sides of the courtyard.

by Eric Lucas

 

“So, how does it feel to be in your homeland?”

My wife, Leslie, looks at me inquisitively.

Tindari by Leslie ForsbergWe’re visiting Tindari, Sicily, where the Black Madonna of Tindari hangs in a cool-stone basilica on an olive-scrub headland overlooking the Tyrrhenian Sea. Beside the Madonna is an equally ebony Christ hanging on a crucifix. Up the road is a theater used by Greeks and Romans; stone seats persist on a rocky hillside, 2,000 years after they were first set down.

“She is known as the ‘Black Madonna of the Orient’,” our Sicilian guide, Lita, explains about the sepia-hued sculpture in the basilica’s huge bronze altar. “That means ‘from the east.’ In this case, Byzantium. So many, many people have come through Sicily over the centuries.”

And many have left.

“I’m Sicilian,” I tell Lita. She raises her eyebrows, looks me up and down. I hope I pass inspection: oxhide skin; walnut eyes; bones like the old olive trees nearby. She nods.

“One quarter Sicilian,” I clarify. “My great-grandparents came from a village above Palermo.

by Elyn Aviva

Even photos of the Cave of the Cats gave me the willies. I wasn’t going to enter it, not if you paid me. I was sure of that. My companions could go in if they wanted, but not me. We sloshed through the wet field to the entrance, a dark inverted triangle almost hidden by an overgrown thorn bush. A gash, a hole in Mother Earth. “No way,” I muttered, shaking my head. Jack, flashlight in hand, offered to go in first, and I watched him slither into the tight-fitting slit.

County Roscommon in western Ireland has a reputation for being boring, but it is anything but. The Rathcroghan complex has been a powerful place since the Neolithic, roughly 6000 years ago. It is an enigmatic landscape shrouded in myth, the burial place of long-forgotten heroes and the kings and queens of Connacht. It is one of the legendary “Celtic Royal Sites” of Ireland, ranking with the better-known Hill of Tara. Like Tara, Rathcroghan unites legend with history. It includes over 200 sites: ancient earthworks, tumuli, ceremonial avenues, ring forts, standing stones, the remains of a Druid school, holy wells, and caves. We’d come for the caves—one in particular, the Cave of the Cats.

Oweynagat (pronounced “Oween-ne-gat” or “UUvnaGOTCH”) or the Cave of the Cats is a spooky place, filled with powerful energies both of the earth and of the Otherworld. The Morrigan, Celtic goddess of death, destruction, and passion, is said to reside within.

Seven Years Younger: Life On Ethiopia Time

words + photos by Maureen Magee

Time zones, the International Date Line and jet lag all contribute to my feeling disoriented when traveling. Date lines especially – leaving home on a Tuesday and arriving on the Monday before I left definitely throws me for a loop.

But what about when the traveler leaves home in 2011 and arrives in 2004?

It happens all the time – when traveling to Ethiopia. Once you disembark in Addis Ababa, you will be at least 7 years younger.

My first trip to this time-estranged nation was in September, 1999.  The airport was festively decked out with banners proclaiming some kind of celebration, followed by “1993!” I couldn’t speak or read Amharic, so the actual celebration was a mystery – but I figured it must have been a heck of an important party, if Ethiopians left the banners up for 7 years.

My guide greeted me with a standard “Hello”, followed by a joyous  “Happy New Year!” After 24 hours in transit, I was too tired to question this and thought, who knows – maybe in Ethiopia, everyone is welcomed with a New Years greeting – even if it is 9 months later.  One never knows in other cultures…

by Eric Lucas

 

Hardly anything seems secret about a kernel of blue corn. It’s the size and shape of a baby’s tooth, the indigo color of ocean dusk, not rock-hard but sturdy, like old pine.

Such a seed would be a secret, were it a product of American industrial agriculture—patented, engineered at a molecular level, sold under some trade name like Blue 7X-RR. You would pay a large Midwestern company to have some; you’d use huge machines like science fiction robots to lay it in the ground; pour on it chemicals with carbon-chain formulas as long as Finnish words; autoclave it into foods as artificial as plastic. And you’d get your pants sued off if you attempted to replicate it or reproduce it in any way.

Photo by Manya Kaczkowski, 2010But the handful of blue corn seeds I’m holding represent a gift from, first of all, Robert Mirabal, a Taos Pueblo resident; also a gift from two millennia and the ground on which a billion people live. Corn is the bedrock of civilization in the Western Hemisphere. It built a dozen empires in Mexico and South America; helped create two dozen thriving cities in the desert Southwest about which Spanish explorers marveled so much that their colonizer, Don Juan de Oñate, declared his conquest a “kingdom.” Nuevo Mexico; it’s called New Mexico now, but still part of the kingdom of corn. And the seeds Mirabal has given me are no secret, just gifts from that kingdom’s treasure.

 

words + photos by Carolyn Handler Miller

 

Jews and Egypt. Two words that rarely meet in the same sentence. Unless you happen to be talking Bible talk and are retelling the story of Exodus, as we Jews do every spring during Passover. Or unless you are talking politics, and are discussing Egypt’s relationship with Israel.  Or unless you possess a torn old photo like the one I have, plus a burning curiosity and the chance to travel to Egypt.

You see, the relationship between Jews and Egypt is a highly personal one for me, and one that the revolution in Egypt brought into sharp focus.           

A large branch of my family once lived and thrived in Egypt until the 1950’s, when another Egyptian revolution, one barely remembered today, ultimately pushed Egyptian Jews into exile. In 1952, during that earlier revolution, King Farouk was forced to abdicate and soon after, Gamal Nasser took over the reins of government. Unlike the laid-back playboy king, Nasser was unfriendly to Jews. During the 1956 Suez Crisis, he declared them enemies of the state and Jews were no longer welcome in the country.

So the entire Egyptian branch of family fled to Paris. At that point, we, the American branch of the family, lost track of them. As far as we all knew, the story ended there.

And we might have forgotten all about them, except for this old black and white photo set in a broken wooden frame. It had been passed down from family member to family member and had finally fallen into my hands when none of my cousins showed any interest in it. Though they mocked the old-fashioned looking group, I found them fascinating. I longed to know more about them and their exotic life in Egypt.

The photo captures my Great Grandmother at a family reunion in Alexandria.

Montana on my mind

by Jules Older

When I teach skiing, I suggest to my students that, to establish and hold a rhythm, they find their ski song.

Truth is, my ski songs find me. My usual one is Sweet Georgia Brown. When I skied West Virginia, it morphed into Miner’s Lifeguard. When I crossed from Switzerland’s French side to the German, my song suddenly switched to Springtime for Hitler and Germany.

See? My song finds me.

Becoming A Fan

by Dorty Nowak

Hot and frustrated, I stared at the pieces of the supposedly easy-to-assemble electric fan that came with nine parts instead of the required ten. My apartment, like most buildings in Paris, has no air conditioning and, after several days of unremitting heat, I was desperate. I picked up the instruction sheet, ignoring the number for the help center that was probably located in China, and folded it into a fan. My makeshift fan worked surprisingly well, reminding me of a museum that I had been meaning to visit ever since I read several years ago that it might have to close.

words + photos by Tom Adkinson

As a kid growing up in the early baby boom years, I could understand World War II because it was familiar to me. The stories were all around me.

A friend’s father down the street had a Japanese carbine.Guadalcanal Diary was an exciting read, as was Thirty Seconds Over Tokyo. Movies such as “The Sands of Iwo Jima” and “The Longest Day” (which seemed to star every major actor in Hollywood, including John Wayne, Richard Burton and Sean Connery) filled the movie screens.

It was World War I, the one known as “The Great War,” that didn’t make much sense. It was long ago and complicated, a jumble of combatants that were difficult to sort out. It seemed to lack the drama of Midway or Normandy or the Flying Tigers. 

That ended with a single museum visit in an unlikely place – Kansas City, Missouri – where I began to make sense of it all.

Kansas City is the home of the National World War I Museum, and the enormity and pathos of that horrible time hit me as soon as I entered.

Once inside, I stood on a glass bridge that leads to the major exhibit areas. Beneath my feet and through the glass was a field of poppies, 9,000 of them. It was an attractive and appealing art installation until I read that each of the red poppies represented 100,000 lives. More precisely, each poppy represented 100,000 deaths. That beautiful field of poppies was a statement about the nine million combat deaths of World War I.

Downtown Kansas City is a pleasant place with big office buildings, hotels, sports facilities, restaurants and the like, and the National World War I Museum is one of its landmarks. 

by Judith Fein

I wish I could climb into a time machine and be catapulted back to the Viking period between 793 and 1066 A.D. I don’t care for the raiding and pillaging but I have been to L’Anse Aux Meadows in Newfoundland twice (the only authenticated Viking site in North America), I have held my breath as I read the Iceland sagas, and I know these hunting and planting people were resilient, artistic and resourceful; the women had power and prestige, and their governance was of the democratic variety. They wrote on rune stones, were brilliant ship builders and goldsmiths. They drank mead from horns, braved the cold and produced mighty sorcerers.

Photo Slide Show by Paul Ross

Last month, I went to Norway on the trail of the Vikings; actually, I felt as though I were in Viking school.  At the archeological museum in Stavanger, I learned that the Vikings probably practiced a form of yoga and that diverse elements in nature like swimming birds and halibut were thought to help the sun on its daily journey. They believed in night ships that went into the water and the dark earth at night, and day ships that came up again in daytime.

words + photos by John Lamkin

Cora Amalia, the president of the municipality, affirmed the stories I’d heard for a while. There was a “lost” Maya city in the nearby jungle that rivals Tikal in Guatemala and has a pyramid larger than the one at Palenque in the state of Campeche.

“When can I go there?" I asked the government tourism officials. “Only when you get permission from INAH (Instituto Nacional de Antropología e Historia),” was the answer, “And you can’t go now because the jungle roads are too muddy. You must wait for the dry season.”

Well, the dry season came. We applied for and got the INAH permit and set off on the adventure – seven of us in Luis’ Suburban.

Our crew consisted of Luis Tellez, professional guide and photographer and his wife Leti, myself and my significant other Susy, two expats that lived locally and had done some research on the city, and don Millon a 90-year-old farmer who had worked in the area as a chiclero, one of the men that harvested the chicle for making chewing gum, and who had visited the ruins in his youth.

We located the turn-off from the paved road that led to a small Maya community of a few traditional thatched huts. We presented our permit to a Maya woman who was the designated caretaker. She read the permit and then herded her family out to be photographed by us.

The Alignments in Carnac, Brittany, France

words + photos by Elyn Aviva

We drove around a corner and encountered an astounding sight: row after row of standing stones, stretching to the horizon. “Pull over!” I demanded. Barely waiting for Gary, my husband, to stop the car, I opened the door, jumped out, and ran over to the green metal fence that separated the stones from me. I shook my head in disbelief, in awe. So many stones, lined up and going—where? Why? They fit no category I knew: they were an enormous puzzle of countless granite megaliths pointing to the sky, rooted in the earth. Hundreds, thousands of stones lined up in slightly wavering rows that went on for kilometers, as if the stones were frozen in the act of marching—somewhere. What was the point? What did they mean? What were they for? The stones made no response.

Nowhere in the world has as many megalithic sites as Brittany, and Carnac is in the center of them. The amazing profusion of ancient remains includes isolated standing stones, rows of alignments, earth-covered tumuli, quadrilateral and oval enclosures, and table-like dolmens, each with its own energy and story.

The dolmens with their elaborately engraved interior walls are intriguing, but the 6000-year-old alignments fascinate me. Many of the original stones have been hauled off for re-use in nearby farmhouses and fences, but nearly 3000 menhirs (Breton for standing stones) remain. They are lined up in three sets of slightly undulating rows facing approximately northeast/southwest and extending for kilometers. Starting in the northeast are the Kerlescan alignments, followed by the Kermario alignments, and ending in the southwest with the Le Ménec alignments. The different sets contain from eleven to thirteen rows, and include from approximately 600 to nearly 1200 standing stones. Each set ends in the southwest with an ovoid or quadrilateral stone enclosure (or what remains of one). The cumulative effect of so many stones, so many alignments, extending for such a distance, is awesome.

Cambodia Off the Beaten Track

words + photos by Don Mankin

Our narrow wooden boat churns upstream powered by what looks like a motor from a small lawnmower. The wide, almost empty river is straight out of “Apocalypse Now.” I feel vaguely like Martin Sheen looking for Colonel Kurtz as I scan the sparsely populated river banks. The small boat has barely enough room for the four of us -- my wife Katherine, our guide, the operator and me.

We are heading to a small, isolated village buried in the jungle about 45 minutes up a tributary of the Mekong River, deep in the heart of Ratanakiri province, a mountainous region in the far northeastern corner of Cambodia. This is as far away from our home in Los Angeles as you can get in this world -- geographically, culturally, and in pretty much any other way you can imagine.

Healing at Saint Onenn’s Holy Well, Brittany

words + photos by Elyn Aviva

It was a place you couldn’t find unless you’d already been there—or unless you found someone to take you there, someone with permission to cross from here to there….

While my husband, Gary, and I spent the day in Paimpont, our traveling companions visited a holy well in the nearby village of Tréhorenteuc. By chance, they had met someone in a bookstore who told them about it and led them to it. They had dangled their feet in the water and meditated, one by one. It was a lovely place.