All by Jolandi Steven

The Children of Angkor

Jolandi Steven
Personal essay, Sacred Places, cultural musings, exotic travel, life

Unkempt little bodies jump from stone to stone. Lithe and agile. Darting now towards, then away from the never-ending stream of tourists flowing over the raised wooden causeways of Beng Mealea. They claim the messy jumble of unrestored stones of this temple, 40 kilometres east of Angkor, on the ancient royal way, as their playground. Nearly nine centuries of heat and humidity have played havoc with the precise placement of the blue sandstone blocks. Gone is the former wealth and glory of the mighty Khmer Empire. In its place poverty reigns. 

At each consecutive temple I visit they keep buzzing around me in swarms. Irritating little mosquitoes. Sometimes noisy and persistent, other times quiet and watchful. Even if I try, I cannot seem to avoid their persistent onslaught. “Lady! Lady!” Dirty little hands push tacky souvenirs I don’t want in my direction. I am determined not to make eye contact. I don’t want to see them. “Only one dolla!” I hasten my pace, and keep my face stern. I focus on the beauty and splendour of the temple in front of me. They give up, and turn their attention to their next victim.

Standing at the top of the Man-Made World

Jolandi Steven
Art and Culture, travel essay

by Jolandi Steven

The Arabian music and lights are soft and atmospheric, conjuring up wild desert landscapes in my imagination: falcons frozen on invisible air currents, the loping gate of a camel transporting exotic spices in the blazing heat of late summer, rolling rust-red dunes forming an undulating sea of sand, a Bedouin tent shimmering mirage-like in the softening colours of sunset. The music falls squarely in the category of elevator music, appropriately playing in a parcel-sized space that doesn’t seem to be moving, despite the digital numbers on the display screens that are hopping and skipping playfully over entire floors, teasing and tormenting my eyes. Before long, the elevator that makes the longest travel distance in the world, and travels at a speed of up to 10 metres per second, effortlessly glides to a graceful stop. Polished steel doors slide open with what sounds like a barely audible sigh. Twelve people step out on level 124.


It has taken less than a minute to reach our destination, despite the sludge-like queue that imprisoned us at the bottom for over an hour. Only a couple of handfuls of the 28, 261 glass panels that clad this marvel of engineering shield me from empty space and certain death. The sheer glass walls inexplicably negate my usual fear of heights, and I am irresistibly drawn to them. Pressing my palms and nose against the cold glass, I try to imagine the ant-like bodies of the 12,000 workers that scurried around during the height of its six year construction. I feel small and insignificant. A coward cocooned by a glass case. I gaze out towards an imagined city built out of Lego blocks. Nothing feels quite real from this height.

Whispers From The Past

Jolandi Steven
Art and Culture, Historic Travel, cultural musings, travel essay

words + photos by Jolandi Steven

 

In the pursuit of progress, the past is often overlooked, neglected, discarded or forgotten. 

But to me, it holds an allure that is enticing, charming, mesmerizing and utterly seductive. Not so for everyone: When I first mentioned the abandoned village of Al Jazirah Al Hamra on the outskirts of Ras-al-Khaimah in the United Arab Emirates to my husband, he evinced his non-committal with a shrug of his shoulders.

Thanks to Google, I learned that Al Jazirah Al Hamra means “Red Island,” and before the discovery of oil and subsequent land reclamation that linked the old town permanently to the mainland, it was on a peninsula that, with high tide, became an island. The questions puzzling me were: “Why did the people abandon their homes?” “Where did they go?”